La escritura como huella en de la gramatología de jacques derrida

Abstract

The investigative interest that motivated the accomplishment of this work is, as it shows its title, to inquire about the conception of writing as imprint in Jaques Derrida and precisely that motivation was the one that constituted its central objective. To achieve this goal was initially considered necessary to approach the logo-fonocentrismo because knowing that problematic notion for Derrida allows better understanding of writing as a footprint. And later also an approximation was made to the concept of the deconstruction since it has been possible to show that Derrida in this deconstructive reading allows to make a detailed herméutica of the text that puts in dialogue the authors addressed with their same texts and Problematize from themselves their postulates to reach a conception of their own. Each of these three themes, the logo-Fonocentrismo, the writing as footprint and the deconstruction were addressed from the reading of the three works Derridianas of the Grammatology, the voice and the phenomenon and the writing and the difference, as well as positions and the work of Scholars of Derrida, as quoted in the bibliography. The relevance of this investigative interest lies in the importance of this form of reading Derridian Herméutica deconstructive that does not fear to put into dialogue the notions that are considered unquestionable; For example, the origin, the essence, the sense; Understood as privileged and exclusive centralities. In the inquiry about the logo-Fonocentrismo we find that Derrida in the first part of his work of the grammatology, puts in question authors like Aristotle, Husserl and Saussure, among others. These authors have in common for Derrida that to some extent their reflections are based on the logo-Fonocentrismo. But how do you understand that notion of logo-Fonocentrismo? How to understand scripture from the perspective of Jacques Derrida? This work is about these questions.