Construcción de representación social del barrio Chapinero en la literatura : análisis a la obra ‘’El pájaro Speed y su banda de corazones maleantes’’

Abstract

The research arises from an established question between the relationship, space and literature, but beyond this, which is the basis of the subsequent work, it is consequently with Bourdieu (1995) to advocate the intensification of the experience of the literary act through the sociological analysis, which is achieved in the first place, annulling the singularity of the author, that is, the act of writing in technical terms is individual, but the product is a crossing of interconnections, between the context and the set of social agents that affect the author's habitus and consequently the production of the work, which from subjectivity becomes a collectivity. Secondly, to understand that the production of the work is an act of subjectivation (understanding the author as a point of interconnections in which objective causes converge, which in him are subjectivized due to his particular vision of the world, affected by his social relations) it is to understand that the work responds to a particular mental structure, that endows it with a meaning or a path that must be understood through a mental identification with a socially constructed position. For these measures, when the sociological analysis is sufficient to show what makes a literary work become in a certain way indispensable, clarifying the reasons why it was done or, in Weber's words, finding the mentioned meaning of that action, provides, as I would say Bourdieu (1995) a joy to the artistic experience, since in a certain way finding its justification is finding in Bourdieu's words (1995) its '' social genesis '', discovering the belief that sustains it and discovering the game of language in the one that was produced, but also establish what are the symbolic resources that are born from it.