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    From subjective aesthetics to interpretative condition: between Kant and Heidegger

    De la estética subjetiva a la condición interpretativa: entre Kant y heidegger

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    Pérez, Enrique Rodríguez
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    https://revistas.usantotomas.edu.co/index.php/analisis/article/view/1936
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    TY - GEN T1 - From subjective aesthetics to interpretative condition: between Kant and Heidegger T1 - De la estética subjetiva a la condición interpretativa: entre Kant y heidegger AU - Pérez, Enrique Rodríguez PB - Universidad Santo Tomás, Bogotá, Colombia AB - By establishing a relationship between Kant’s aesthetics and Heidegger's hermeneutic perspective we can see a rethinking of conception of the world and of the human being that allows establishing similarities and contrasts. The reflections on art in Kant's Critique of Judgment allow seeing cracks in the whole system: the feelings of the beautiful and the sublime by bringing the powers destabilize the system. From Heidegger’s point of view these fissures lead to interpretive turn. The world is in a different relationship, without a subject, like a relationship between earth and sky, divinities and mortals. The human being is no longer subject, rests on his own mortality as an event of absence, for no reason. This is a historic shift mode of modernity postmetaphysical rational thought. ER - @misc{11634_6292, author = {Pérez Enrique Rodríguez}, title = {From subjective aesthetics to interpretative condition: between Kant and HeideggerDe la estética subjetiva a la condición interpretativa: entre Kant y heidegger}, year = {}, abstract = {By establishing a relationship between Kant’s aesthetics and Heidegger's hermeneutic perspective we can see a rethinking of conception of the world and of the human being that allows establishing similarities and contrasts. The reflections on art in Kant's Critique of Judgment allow seeing cracks in the whole system: the feelings of the beautiful and the sublime by bringing the powers destabilize the system. From Heidegger’s point of view these fissures lead to interpretive turn. The world is in a different relationship, without a subject, like a relationship between earth and sky, divinities and mortals. The human being is no longer subject, rests on his own mortality as an event of absence, for no reason. This is a historic shift mode of modernity postmetaphysical rational thought.}, url = {} }RT Generic T1 From subjective aesthetics to interpretative condition: between Kant and Heidegger T1 De la estética subjetiva a la condición interpretativa: entre Kant y heidegger A1 Pérez, Enrique Rodríguez PB Universidad Santo Tomás, Bogotá, Colombia AB By establishing a relationship between Kant’s aesthetics and Heidegger's hermeneutic perspective we can see a rethinking of conception of the world and of the human being that allows establishing similarities and contrasts. The reflections on art in Kant's Critique of Judgment allow seeing cracks in the whole system: the feelings of the beautiful and the sublime by bringing the powers destabilize the system. From Heidegger’s point of view these fissures lead to interpretive turn. The world is in a different relationship, without a subject, like a relationship between earth and sky, divinities and mortals. The human being is no longer subject, rests on his own mortality as an event of absence, for no reason. This is a historic shift mode of modernity postmetaphysical rational thought. OL Spanish (121)
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    Abstract
    By establishing a relationship between Kant’s aesthetics and Heidegger's hermeneutic perspective we can see a rethinking of conception of the world and of the human being that allows establishing similarities and contrasts. The reflections on art in Kant's Critique of Judgment allow seeing cracks in the whole system: the feelings of the beautiful and the sublime by bringing the powers destabilize the system. From Heidegger’s point of view these fissures lead to interpretive turn. The world is in a different relationship, without a subject, like a relationship between earth and sky, divinities and mortals. The human being is no longer subject, rests on his own mortality as an event of absence, for no reason. This is a historic shift mode of modernity postmetaphysical rational thought.
     
    Al establecer una relación entre la estética kantiana y la perspectiva hermenéutica heideggeriana se percibe un replanteamiento de la concepción del mundo y del ser humano que permite establecer semejanzas y contrastes. Las reflexiones sobre el arte en Kant, en la Crítica del Juicio, dejan ver fisuras en todo el sistema: los sentimientos de lo bello y lo sublime al poner en juego las facultades desestabilizan el sistema. Desde la mirada de Heidegger, estas fisuras llevan al giro interpretativo. El mundo se constituye en una relación distinta, sin sujeto, como relación entre cielo y tierra, divinidades y mortales. El ser humano, que ya no es sujeto, se sostiene en su propia mortalidad como evento de ausencia, sin fundamentos. Este es un modo del desplazamiento histórico de la modernidad racional al pensamiento posmetafísico.
     

     

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