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    THE REVOLUTION IN THE BICENTENARY´S LITERATURE: FROM THE HISTORY ABOUT “THE ORIGIN” TO “THE BLACK” IN CURRENT ARGENTINA

    La revolución en la literatura del Bicentenario: De las historias sobre “el origen” a “lo negro” en la argentina actual.

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    Amati, Mirta
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    https://revistas.usantotomas.edu.co/index.php/cfla/article/view/686
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    TY - GEN T1 - THE REVOLUTION IN THE BICENTENARY´S LITERATURE: FROM THE HISTORY ABOUT “THE ORIGIN” TO “THE BLACK” IN CURRENT ARGENTINA T1 - La revolución en la literatura del Bicentenario: De las historias sobre “el origen” a “lo negro” en la argentina actual. AU - Amati, Mirta PB - Universidad Santo Tomás, Bogotá-Colombia AB - The “reference to the origin is a cultural invariant” (Candau, 2001). Nevertheless each country has particular ways to process its own history. This paper analyzes one modality to tell the origen of the Argentina, in the context of the Latin American Bicentenaries. That original moment - the May Revolution in 1810 - appears represented in literary productions that have been best sellers of history. Those not-fiction books and others offiction allow to think about the problem of the genre (revisionism, enssay, parodia historical) and their relation with “the nation” like a cultural mold. A way to imagine “us” and to allow some inclusions and exclusions in the level of the identity in the time of the origin and in the present of the Bicentenary.Key Words: National imagination, memory/history. ER - @misc{11634_6687, author = {Amati Mirta}, title = {THE REVOLUTION IN THE BICENTENARY´S LITERATURE: FROM THE HISTORY ABOUT “THE ORIGIN” TO “THE BLACK” IN CURRENT ARGENTINALa revolución en la literatura del Bicentenario: De las historias sobre “el origen” a “lo negro” en la argentina actual.}, year = {}, abstract = {The “reference to the origin is a cultural invariant” (Candau, 2001). Nevertheless each country has particular ways to process its own history. This paper analyzes one modality to tell the origen of the Argentina, in the context of the Latin American Bicentenaries. That original moment - the May Revolution in 1810 - appears represented in literary productions that have been best sellers of history. Those not-fiction books and others offiction allow to think about the problem of the genre (revisionism, enssay, parodia historical) and their relation with “the nation” like a cultural mold. A way to imagine “us” and to allow some inclusions and exclusions in the level of the identity in the time of the origin and in the present of the Bicentenary.Key Words: National imagination, memory/history.}, url = {} }RT Generic T1 THE REVOLUTION IN THE BICENTENARY´S LITERATURE: FROM THE HISTORY ABOUT “THE ORIGIN” TO “THE BLACK” IN CURRENT ARGENTINA T1 La revolución en la literatura del Bicentenario: De las historias sobre “el origen” a “lo negro” en la argentina actual. A1 Amati, Mirta PB Universidad Santo Tomás, Bogotá-Colombia AB The “reference to the origin is a cultural invariant” (Candau, 2001). Nevertheless each country has particular ways to process its own history. This paper analyzes one modality to tell the origen of the Argentina, in the context of the Latin American Bicentenaries. That original moment - the May Revolution in 1810 - appears represented in literary productions that have been best sellers of history. Those not-fiction books and others offiction allow to think about the problem of the genre (revisionism, enssay, parodia historical) and their relation with “the nation” like a cultural mold. A way to imagine “us” and to allow some inclusions and exclusions in the level of the identity in the time of the origin and in the present of the Bicentenary.Key Words: National imagination, memory/history. OL Spanish (121)
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    • Cuadernos de Filosofía Latinoamericana [604]
    Abstract
    The “reference to the origin is a cultural invariant” (Candau, 2001). Nevertheless each country has particular ways to process its own history. This paper analyzes one modality to tell the origen of the Argentina, in the context of the Latin American Bicentenaries. That original moment - the May Revolution in 1810 - appears represented in literary productions that have been best sellers of history. Those not-fiction books and others offiction allow to think about the problem of the genre (revisionism, enssay, parodia historical) and their relation with “the nation” like a cultural mold. A way to imagine “us” and to allow some inclusions and exclusions in the level of the identity in the time of the origin and in the present of the Bicentenary.Key Words: National imagination, memory/history.
     
    La “referencia al origen es un invariante cultural” (Candau, 2001). Sin embargo, cada país tiene modos particulares de procesar su propia historia. Este trabajo analiza una de  las modalidades en que –en Argentina– se narra ese origen, en el contexto de los bicentenarios latinoamericanos.Ese momento originario –la Revolución de Mayo de 1810– aparece representado en producciones  literarias que han sido best sellers de historia. Esos relatos de no-ficción junto a otros de ficción permiten problematizar la cuestión del género (revisionismo, ensayo, parodia histórica) y su relación con “la nación” como matriz cultural. Un modo de imaginar un “nosotros” y de permitir ciertas inclusiones y exclusiones identitarias en el momento del origen y en el presente del Bicentenario.
     

     

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