La narcogangsterización de la música popular
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Universidad Santo Tomás
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La música popular de explícito contenido narcogangster se caracteriza por su violenta expresividad aunada a una estética particular (en el marco de diferentes actuaciones tipificadas). A nivel metodológico este trabajo plantea la caracterización de los principales modos de representación de este fenómeno masivo, a partir de la indagación semiótica de algunos videos de importancia mundial. Los resultados indican que nexos entre el tráfico de drogas, las prácticas de consumo ostentoso, la incitación a la violencia y la dionisiaca idea de dar rienda suelta a los deseos se establecen como telón de fondo a estos discursos sonoro-estéticos. Se discute la comprensión de este proceso en la música popular como una violenta y exitosa tendencia en extensión a nivel mediático.
The popular music narcogangster explicit content is characterized by its violent expression coupled with a particular aesthetic (under different typified performances). At the methodological level, this work proposes the characterization of the main modes of representation of this massive phenomenon, based on the semiotic investigation of some videos of worldwide importance. The results indicate that links between drug trafficking, ostentatious consumption practices, incitement to violence and Dionysian idea of giving free rein to desires are established as a backdrop to these sonorous aesthetic discourses. The understanding of this process in popular music is discussed as a violent and successful trend in media coverage.
The popular music narcogangster explicit content is characterized by its violent expression coupled with a particular aesthetic (under different typified performances). At the methodological level, this work proposes the characterization of the main modes of representation of this massive phenomenon, based on the semiotic investigation of some videos of worldwide importance. The results indicate that links between drug trafficking, ostentatious consumption practices, incitement to violence and Dionysian idea of giving free rein to desires are established as a backdrop to these sonorous aesthetic discourses. The understanding of this process in popular music is discussed as a violent and successful trend in media coverage.
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Estética narcogangsta, capitalismo cultural, música, Narcogangsta aesthetic, cultural capitalism, music
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