Explorando el pensamiento artístico en la neurodivergencia: Implementación y evaluación de estrategias didácticas que posibilitan el desarrollo de algunas habilidades del pensamiento artístico con niños neurodivergentes en edad preescolar.
| dc.contributor.advisor | Rivera Bernal, Leonardo Mauricio | |
| dc.contributor.author | Bernal Chparro, Maria Alejandra | |
| dc.contributor.corporatename | Universidad Santo Tomás | |
| dc.contributor.cvlac | https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0000244384 | |
| dc.contributor.cvlac | https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0002149353 | |
| dc.contributor.googlescholar | https://scholar.google.com/citations?user=GACpu88AAAAJ&hl=es&oi=ao | |
| dc.contributor.orcid | https://orcid.org/0000-0002-3165-6745 | |
| dc.date.accessioned | 2026-10-14T11:53:18Z | |
| dc.date.available | 2026-10-14T11:53:18Z | |
| dc.date.issued | 2026-10-09 | |
| dc.description | La educación inclusiva, en tanto principio fundamental del derecho a la educación, exige transformaciones profundas en los procesos pedagógicos que se desarrollan en las aulas, especialmente en aquellas que acogen a niños con condiciones neurodivergentes. La neurodivergencia, entendida como la variabilidad natural del funcionamiento neurológico humano, abarca condiciones como el Trastorno del Espectro Autista (TEA), el Trastorno por Déficit de Atención e Hiperactividad (TDAH), entre otras, y plantea retos significativos en los modelos educativos tradicionales que priorizan enfoques homogéneos y estandarizados del aprendizaje. En este contexto, las artes plásticas surgen como un campo privilegiado para la exploración, la comunicación y el desarrollo integral de los niños, al ofrecer medios alternativos de expresión, especialmente valiosos para aquellos con dificultades en la comunicación verbal, procesamiento sensorial o regulación emocional. A partir de enfoques pedagógicos como la Teoría del Desarrollo Cognitivo de Piaget, las Inteligencias Múltiples de Gardner y la Psicología Humanista de Rogers, se reconoce que el arte posibilita procesos complejos de pensamiento, expresión emocional, interacción social y autoafirmación identitaria. Así, la implementación de estrategias didácticas basadas en las artes plásticas representa una vía legítima para fortalecer el aprendizaje significativo y fomentar el pensamiento artístico en niños neurodivergentes desde sus capacidades. Sin embargo, a pesar de los avances normativos e institucionales en favor de la inclusión, persisten barreras estructurales y pedagógicas en la formación docente, el diseño curricular y la disponibilidad de recursos adaptados, que limitan la participación plena y equitativa de esta población en las experiencias educativas. En particular, en el área de las artes plásticas, se evidencia una escasez de propuestas metodológicas contextualizadas, flexibles y técnicamente fundamentadas que articulen la diversidad cognitiva y sensorial con los objetivos pedagógicos del área artística. Este proyecto de investigación se inscribe en dicha necesidad, y se propone diseñar, implementar y evaluar estrategias didácticas inclusivas en artes plásticas que respondan a las particularidades de niños de 4 a 7 años con neurodivergencia, en el contexto de un aula inclusiva del Centro Experimental Galileo. Para ello, se parte de un enfoque cualitativo-interpretativo con metodología de estudio de caso e investigación-acción, desarrollando una serie de fases de intervención que incluyen diagnóstico contextual, diseño de actividades sensoriales, espaciales y kinestésicas, implementación piloto, análisis de resultados y formulación de recomendaciones pedagógicas. La investigación se fundamenta teóricamente en aportes interdisciplinarios que integran el desarrollo infantil, la neurodiversidad, la educación artística, el pensamiento artístico y el diseño didáctico adaptado, con el fin de demostrar que el arte no solo es un medio de expresión estética, sino una herramienta potente para la inclusión, el desarrollo cognitivo-emocional y la transformación educativa. Esta introducción presenta de forma general el contenido del documento, que se estructura en capítulos que abordan el planteamiento del problema, los objetivos, el marco teórico y metodológico, el diseño de la propuesta pedagógica, la sistematización del proceso de intervención, el análisis de resultados, y finalmente las conclusiones y recomendaciones que emergen del proceso investigativo y reflexivo. | |
| dc.description.abstract | Inclusive education, as a fundamental principle of the right to education, requires profound transformations in the pedagogical processes carried out in classrooms, particularly in those that welcome children with neurodivergent conditions. Neurodivergence, understood as the natural variability of human neurological functioning, encompasses conditions such as Autism Spectrum Disorder (ASD), Attention-Deficit/Hyperactivity Disorder (ADHD), among others, and presents significant challenges to traditional educational models that prioritize homogeneous and standardized approaches to learning. In this context, visual arts emerge as a privileged field for exploration, communication, and the holistic development of children, as they offer alternative means of expression that are particularly valuable for those who experience difficulties with verbal communication, sensory processing, or emotional regulation. Drawing on pedagogical approaches such as Piaget’s Theory of Cognitive Development, Gardner’s Theory of Multiple Intelligences, and Rogers’s Humanistic Psychology, it is recognized that art facilitates complex processes of thinking, emotional expression, social interaction, and identity affirmation. Thus, the implementation of teaching strategies based on visual arts represents a valid approach to strengthening meaningful learning and fostering artistic thinking in neurodivergent children by building on their abilities. However, despite regulatory and institutional advances in support of inclusion, structural and pedagogical barriers persist in teacher training, curriculum design, and the availability of adapted resources, limiting the full and equitable participation of this population in educational experiences. In particular, within the field of visual arts, there is a noticeable shortage of contextualized, flexible, and technically grounded methodological approaches that integrate cognitive and sensory diversity with the pedagogical objectives of arts education. This research project addresses this need and aims to design, implement, and evaluate inclusive teaching strategies in visual arts that respond to the specific characteristics of neurodivergent children aged 4 to 7 in an inclusive classroom at the Galileo Experimental Center. To this end, the study adopts a qualitative-interpretive approach, using case study and action research methodologies. It develops a series of intervention phases that include contextual assessment, the design of sensory, spatial, and kinesthetic activities, pilot implementation, analysis of results, and the formulation of pedagogical recommendations. The research is theoretically grounded in interdisciplinary contributions that integrate child development, neurodiversity, arts education, artistic thinking, and adapted instructional design. Its purpose is to demonstrate that art is not merely a means of aesthetic expression but also a powerful tool for inclusion, cognitive and emotional development, and educational transformation. This introduction provides an overview of the document, which is organized into chapters addressing the research problem, objectives, theoretical and methodological framework, design of the pedagogical proposal, systematization of the intervention process, analysis of results, and, finally, the conclusions and recommendations arising from the research and reflective process. | |
| dc.description.degreelevel | Doctorado | spa |
| dc.description.degreename | Doctor en Educación | spa |
| dc.format.mimetype | application/pdf | |
| dc.identifier.citation | Bernal Chaparro, M. A. (2026). Explorando el pensamiento artístico en la neurodivergencia: Implementación y evaluación de estrategias didácticas que posibilitan el desarrollo de algunas habilidades del pensamiento artístico con niños neurodivergentes en edad preescolar.. [Trabajo de Grado, Universidad Santo Tomás]. Repositorio Institucional. | |
| dc.identifier.instname | instname:Universidad Santo Tomás | spa |
| dc.identifier.reponame | reponame:Repositorio Institucional Universidad Santo Tomás | spa |
| dc.identifier.repourl | repourl:https://repository.usta.edu.co | spa |
| dc.identifier.uri | http://hdl.handle.net/11634/74531 | |
| dc.language | spa | spa |
| dc.publisher | Universidad Santo Tomás | spa |
| dc.publisher.branch | CRAI-USTA Bogotá | |
| dc.publisher.faculty | Facultad de Educación | spa |
| dc.publisher.program | Doctorado en Educación | spa |
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| dc.relation.references | Brown, C., & Lane, A. (2019). Sensory processing and art making in children with autism. Occupational Therapy International, 2019, 1–9. https://doi.org/10.1155/2019/8719623 | |
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| dc.relation.references | Gardner, H. (1983). Frames of mind: The theory of multiple intelligences. Basic Books. | |
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| dc.relation.references | Runco, M. A., & Acar, S. (2012). Divergent thinking as an indicator of creative potential. Creativity Research Journal, 24(1), 66–75. https://doi.org/10.1080/10400419.2012.652929 | |
| dc.relation.references | Singer, J. (1999). Why can't you be normal for once in your life? From a 'problem with no name' to the emergence of a new category of difference. In M. Corker & S. French (Eds.), Disability Discourse (pp. 59–67). Open University Press. | |
| dc.relation.references | Tomlinson, C. A. (2017). How to differentiate instruction in academically diverse classrooms (3rd ed.). ASCD. | |
| dc.relation.references | UNESCO. (2017). A guide for ensuring inclusion and equity in education. United Nations Educational, Scientific and Cultural Organization. https://unesdoc.unesco.org/ark:/48223/pf0000248254 | |
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| dc.relation.references | Winner, E., & Hetland, L. (2000). The arts and academic achievement: What the evidence shows. The Journal of Aesthetic Education, 34(3-4), 3–10. | |
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| dc.rights.accessrights | info:eu-repo/semantics/openAccess | |
| dc.rights.coar | http://purl.org/coar/access_right/c_abf2 | |
| dc.rights.local | Abierto (Texto Completo) | spa |
| dc.subject.keyword | Education | |
| dc.subject.keyword | Neurodivergence | |
| dc.subject.keyword | Art | |
| dc.subject.lemb | Artes Plásticas | |
| dc.subject.lemb | Educación artística | |
| dc.subject.lemb | Aprendizaje significativo | |
| dc.subject.proposal | Educacio | |
| dc.subject.proposal | Neurodivergencia | |
| dc.subject.proposal | Artes | |
| dc.title | Explorando el pensamiento artístico en la neurodivergencia: Implementación y evaluación de estrategias didácticas que posibilitan el desarrollo de algunas habilidades del pensamiento artístico con niños neurodivergentes en edad preescolar. | |
| dc.type | bachelor thesis | |
| dc.type.coar | http://purl.org/coar/resource_type/c_db06 | |
| dc.type.coarversion | http://purl.org/coar/version/c_ab4af688f83e57aa | |
| dc.type.drive | info:eu-repo/semantics/doctoralThesis | |
| dc.type.local | Tesis doctoral | spa |
| dc.type.version | info:eu-repo/semantics/acceptedVersion |
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