Diseño casa cultural para santa Rosa del sur Bolívar

Abstract

For the preparation of this degree project, it began with the study of houses of culture through the analysis of references in Colombia and abroad, starting with projects created in honor of two famous Nobel Prize winners, cultural house of José Saramago de Spain, and the cultural center of Gabriel García Márquez in Bogotá (Fernández & Tamaro, Gabriel García Márquez. Biografía». In Biographies and Lives. Barcelona, Spain, 2004). Already existing projects that allow us to give spatial, functional and conceptual clarity to everything that goes into creating an element of this type. (Northeast, 2022, p.1) Identifying the use of semi-public and private public areas such as lobby, classrooms, exhibition halls, among others, they are rooms that respond to the functions of the houses of culture which, according to Colombian standards, are to encourage training and training people. . to protect the culture of each region; It is evident that each cultural house, regardless of its focus, responds to the social and spatial context, this speaks of its history, customs and the number of people it is aimed at, so each project is unique and changes depending on the place of implementation. From architecture this is quantified by responding to the built area, materiality and language management. For this reason, the place (Santa Rosa del Sur Bolívar) in Colombia characterized as a red zone is investigated; which means that it has been impacted by sensitive issues such as the armed conflict due to the country's internal war. I also highlighted gold mining and artisanal agriculture, livestock, and aspects such as the geographical, climatic, historical and social context were investigated, studying the intangible culture such as the lifestyle customs of the people of Santa Rosa, thus getting to know the subject to whom the project is directed. . Analyzing its qualities such as ethnic multiculturalism, thus enriched with people from all parts of the country with all types of accents and customs all in one place. A recognition was made of the natural conditions of the property such as accessibility, topography, sunlight, winds and visuals to generate a design proposal with a language that responds to the previous analysis through the theoretical framework, Modernism taking some of the most notable characteristics since These were the ones that offered the best response to the complex variables of the property; Being like this the open floor, the terrace-garden, the use of the stilts, the longitudinal window, or the free façade, the architecture in Colombia offers very good references towards memory such as the cultural house of the salado and the center of memory and peace of Bogotá which shows, in terms of uses, great similarity with the houses of culture, but with a greater symbolic load, providing atmospheres for free interpretation with spaces each year that evoke ideas and sensations, through the use of light. and the materiality and visual shadows. Subtly carried out to give added value to the architectural project.