Pentagramas colectivos y cantos Insurgentes: FARC-EP. Una aproximación desde la sociología de la música

Abstract

The search for the reconstruction of memory within the framework of the armed conflict in Colombia, as a result of the different dialogues and peace agreements between the Colombian State and the guerrilla movement, particularly with the FARC-EP guerrillas, have generated important processes of remembrance of social processes between victims and the armed insurgency In relation to the construction of memory and reparation. Art has been an important factor in the armed conflict, this is how some groups of victims have managed to reconstruct their individual and collective memory through weaving, poetry, photography, dance and music. Regarding the latter, it is found that it has also been very important for the FARC-EP guerrilla, the diversity of rhythms and its own musical material is immense and although it is about an armed actor, not all his art refers to the War, a large part of its artistic and musical production, involves themes such as peace, love and tradition, in such a way that through the music composed by its own members, the collective memory of this insurgent organization can be recovered.