Manifestaciones artísticas para el respeto de los derechos humanos en la población joven desplazada en el barrio la favorita

Abstract

Colombia has had countless internal migration events throughout of its history, among these is the dance of the millions, which concentrated capital in certain nerve centers of the country and the oil fever in Barrancabermeja 1. But, among the displacement dynamics that has had the country, the one with the greatest impact has occurred in the last 30 years cause of forced displacement generated by political violence. Situation that had its highest point in the 80's and 90's, until 2008, noting in the main urban centers of the country a constant and disproportionate increase of the rural population in conditions precarious habitability and access to state aid. Done that led to the development of a social group with similar characteristics, which instead it contains an immeasurable heterogeneity as it comes from geographically and culturally isolated areas of the country. In this way, the displaced population is immersed in a foreign context, often hostile and in which the migrant reception policies do not they satisfy the multiple needs with which they arrive in the city. Apart of these fundamental needs for the continuity of existence, they also have needs for recognition, inclusion and reconstruction.