La continuidad de la memoria edificada a través de las superficies tectónicas

Abstract

In contemporary architecture, one of the greatest challenges is to achieve the continuity of the built memory in a constantly evolving urban environment. The disconnection between new interventions and pre-existing structures has resulted in interruptions that affect the visual and tectonic coherence of urban space. This thesis focuses on developing design strategies that allow achieving the continuity of the built memory through the effective integration of tectonic surfaces in contemporary architectural design. The problem addressed is the interruption of the continuity of architectural memory, due to the lack of integration of tectonic surfaces. These surfaces, which represent the skin and structure of the building, become decisive in connecting the new interventions with the existing, thus allowing a harmonious relationship between the contemporary and the existing. The methodology used is based on an analysis of bibliographical references such as: “Variations of Identity” by Carlos Martí Aris, “Fire and its Protection” with emphasis on the second system “Style” by Gottfried Semper, “The Principle of Coating” by Adolf Loos, “Ornament and Crime” by Adolf Loos, “Architecture, Rites and Rhythms” by Joaquin Arnau Amo, which provide essential theoretical foundations for this research. The analysis is carried out through three significant case studies which are: The extension of the Prado Museum, the Murcia City Hall and the National Museum of Roman Art, all designed by Rafael Moneo, where it is studied how the integration of tectonic surfaces has allowed to maintain the architectural memory and build a coherent narrative between the pre-existing and the contemporary. The main contribution of this research is the formulation of design strategies that ensure the continuity of memory through adequate tectonic integration, promoting a continuous and coherent architectural narrative.